A documentary produced for Viva Pedro: The Almodóvar Collection featuring interviews with many of his frequent collaborators.

A documentary produced for Viva Pedro: The Almodóvar Collection that deconstructs his career through interviews with many of his frequent collaborators.

The 72nd Academy Awards telecast aired on March 26th, 2000 live from the Shrine Auditorium in Los Angeles. Over 46 million viewers tuned in, and it currently stands as one of the highest rated Academy Awards of the 21st Century. Critically acclaimed and technologically advanced, it was produced by Richard and Lili Fini Zanuck and hosted by Billy Crystal. The press wrote: "It was clean, snappy, high-gloss, and very well produced. And this year Billy didn't have to save the show." It was directed by Louis J. Horvitz who is one of the most prolific live TV directors in the world. Over the course of 4 days, the director's assistant's Steve Race and Micah Kwamina were granted unprecedented access to film the behind the scenes action. Armed with only a Canon GL1 Digital Video Camera, no sound equipment, and not even a tripod they captured what goes into the making of the biggest show on earth.

When looking at Pedro Almodóvar’s filmography, it becomes evident that women are everywhere; in fact, his work revolves around them. His divas are the best to create a real portrait of Almodóvar and evoke the emotional power of his films. These women are the ideal observers of a cinematic career that, from La Mancha to Hollywood, has changed the image of Spain in the world.

This documentary on the elusive director Alan Smithee was first shown on the American Movie Classics (AMC) cable channel. We learn where the name came from and why the Directors Guild of America (DGA) first allowed his name to be used on Richard Widmark's western Death of a Gunfighter. The film follows the numerous problems that director Tony Kaye had during the production and post-production of the film American History X and why the DGA refused to allow Alan Smithee to be credited for that film.

The genius that is Almodóvar is expressed in this film with interviews from his family, co-workers, and Almodóvar experts.

Mother Nature and human emotions are placed in this melding of myth and aesthetic enigma in Kumar Shahani's short film of 25 minutes starring Mita Vashisht, created as a diploma submission for the Film and Television Institute of India(FTII) by editor and film's co-star Nandini Bedi.

An involved behind-the-scenes documentary that focuses on the High Definition cameras used for the movie as well as intimate interviews with the cast and crew. It is a short featurette, but never fails to be interesting.

The fun adventures of two close friends who are dragged into the inextricable monotony of daily life.

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